The Only Good Indian is part lecture, part meditation, and part threat. Or maybe a sacrifice.

Each incarnation of The Only Good Indian recruits a new artist to step into the radical headspace of a suicide bomber. In turn, each performer straps themselves into a suicide vest — and struggles to rationalize to the audience such an “irrational” decision. It dissects where our similarities begin and where they end, forcing both the performer and the audience to ask themselves: what would I die for?